Tobe, Renee (2007) ‘Modernist Noir’, Perspectives: the Journal of the Ontario Association of Architects, 15(4), pp. 16-18.
Tobe, R (2007) Perspectives 15 (4) 16.pdf - Published Version
Available under License Creative Commons Attribution No Derivatives.
Download (104Kb) | Preview
Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Only a few seconds are required to impart who the players are and whether they are on their way up, or down. Modern architecture plays a speci! c role in this dialogue. The occupant of the stark compositions and straight white lines of modernism with their de! ned light and shadow is not just a rascal, but a cold-blooded evildoer associated with calculated reasoning. In contrast cheerful and inviting faux-Tudor or fieldstone-clad houses denote homely domesticity to the viewing public.
|Additional Information:||Citation: Tobe, R. (2007) 'Modernist Noir' Perspectives: the Journal of the Ontario Association of Architects 15 (4) pp.16-18..|
|Divisions:||Schools > Architecture Computing and Engineering, School of|
|Depositing User:||Mr Stephen Grace|
|Date Deposited:||15 Dec 2010 13:50|
|Last Modified:||27 Sep 2012 11:59|
Actions (login required)