Bresheeth, Haim (2002) ‘A Symphony of Absence: Borders and Liminality in Elia Suleiman's Chronicle of a Disappearance’, Framework, 43(2), pp. 71-84.
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This article discusses Elia Suleiman's Chronicle of a Disappearance (1996) on the background of the Al Aqsa Intifada. The film was chosen not only because of its innovative aesthetics but also due to its prophetic, as well as, disturbing political analysis of the Zionist enterprise embedded within its unique cinematic style.
|Divisions:||Schools > Arts and Digital Industries, School of|
|Additional Information:||Citation: Bresheeth, H. (2002) ‘A Symphony of Absence: Borders and Liminality in Elia Suleiman's Chronicle of a Disappearance’ Framework 43 (2) 71-84.|
|Date Deposited:||16 Apr 2010 15:40|
|Last Modified:||27 Sep 2012 11:59|
|Depositing User:||Stephen Grace|